Vincent Price, the actor widely associated with suavely menacing performances in Gothic horror cinema, died at his home in Los Angeles at age 82, according to a report cited in contemporaneous coverage. The death was attributed to lung cancer, the illness described by a personal assistant, Reggie Williams. Price’s passing marked the end of a career closely linked to low-budget but often stylized horror films—an on-screen persona that helped define the look, rhythm, and atmosphere of classic macabre Hollywood.
Multiple accounts of the circumstances place the end of his life on Monday, with the cause reported as lung cancer. The reporting also includes confirmation of Price’s age at death—82 years old—and points to the private setting of his Los Angeles residence. In the same body of referenced reporting, the details of timing are presented with precision: Price died on October 25, 1993. In the narrative described, his death date is paired directly with the place—Los Angeles, California—framing his final hours as both an intensely personal and broadly notable public loss.
As word spread beyond his home, the emphasis quickly turned to what Price had represented to audiences: a theatrical gravitas that could coexist with theatrical excess, and a measured threat that seemed to carry its own sophistication. He became known as the face of countless Gothic horror stories, frequently in productions that were not defined by big studio budgets but rather by a distinctive craft and mood. Those films, though often labeled “low-budget,” cultivated reputations for stylish menace—something Price delivered with a unique balance of charm and danger that made him a recognizable figure far beyond the genre’s most devoted fans.
The legacy section of the referenced materials underscores how his death was not simply a biographical endpoint but a marker for a larger cultural memory. The career remembered through the lens of Gothic horror speaks to a particular kind of stardom—one built on voice, cadence, and presence as much as plot. In the cited description, Price’s roles are characterized as both dark and stylish, implying that his performances helped shape not only storylines but also the audience expectation of what “horror” could look like when staged with elegance.
Following his death, the referenced account describes the handling of his remains with details that reflect both finality and locality. Price’s remains were cremated, and his ashes were scattered off Nicholas Canyon Beach, near Point Dume in Malibu. The specificity of the location places his farewell not in a generic, symbolic elsewhere, but in a concrete stretch of Southern California coastline. It is an image that resonates with the way Hollywood remembers its stars—part private ritual, part public narrative—where even the dispersal of ashes becomes part of how people later understand a life in entertainment.
While the immediate news focus remains on the date, age, cause, and location of death, the cited materials also illuminate the broader human texture surrounding such losses: a personal assistant, identified as Reggie Williams, was described as the source providing the cause of death. That detail points to the close circle around the actor in his final moments, and it reinforces that even high-profile figures can die in quiet, domestic circumstances rather than in the spotlight. Yet the public nature of Price’s fame ensured that those private facts rapidly took on journalistic weight.
For fans and film historians, the framing of Price as “the suavely menacing star” offers a shorthand for why his work endured. The description emphasizes style and delivery—“countless” Gothic horror films—and portrays him as an actor whose signature qualities were recognizable even when the productions themselves varied in budget and scale. The report also presents a clear causal account of his death: lung cancer. Together, these facts—cause, age, place, and the manner in which his remains were later treated—compose a factual spine for remembrance.
Beyond his personal story, the same verified materials set the broader expectation that legacy is measured not only by headlines but by the surviving cultural imprint of a performer’s screen identity. Price’s contributions to horror are described as frequent and influential enough to anchor his identity in the genre itself. That kind of recognition tends to outlast the specifics of a single year, because it reflects repeated, lived contributions: performances that audiences could return to, studies that could cite his on-screen presence, and cultural references that could echo his tone long after production cycles changed.
In summary, Vincent Price died on October 25, 1993, at 82, at his Los Angeles home, with lung cancer cited as the cause by a personal assistant, Reggie Williams. His remains were cremated, and his ashes were scattered off Nicholas Canyon Beach near Point Dume in Malibu. The death removed a defining figure of Gothic horror cinema, the actor remembered for performances that blended menace with a distinctive, stylish sophistication. For more on the contemporaneous reporting and the quoted details preserved in the referenced record, see News Source—which draws from coverage including The New York Times.
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