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Robert Eggers Rejects Modern Era Films: “Photographing Cars and Cellphones Makes Me Ill”

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Robert Eggers says he has no interest in directing a film set in the modern era.

“The idea of having to photograph a car makes me ill. And the idea of photographing a cellphone is just… death. So, no.”

(Source: @RottenTomatoes/IG) https://t.co/PTsqdK8aj4


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Robert Eggers on Directing Modern Films

Renowned filmmaker Robert Eggers has made headlines with his recent comments regarding the potential direction of his future projects. In a candid statement shared through a Twitter post by DiscussingFilm, Eggers expressed a strong aversion to the idea of directing films set in contemporary times. His specific disdain revolves around the challenges of incorporating modern elements like cars and cellphones into his storytelling. Eggers stated, “The idea of having to photograph a car makes me ill. And the idea of photographing a cellphone is just… death. So, no.” This declaration sheds light on his artistic philosophy and preference for historical and period pieces, which have characterized his acclaimed body of work.

Eggers, known for his meticulous attention to detail and immersive storytelling, has gained recognition for films such as “The Witch,” “The Lighthouse,” and “The Northman.” These films are steeped in historical context and often delve into themes of folklore, myth, and existential dread. His commitment to authenticity and atmosphere has set him apart in the contemporary film landscape, drawing audiences into worlds that feel both foreign and familiar. By rejecting modern settings, Eggers emphasizes his desire to explore narratives that transcend the immediacy and distractions of contemporary life.

The filmmaker’s sentiment resonates with a growing audience that seeks depth and complexity in storytelling. In an age dominated by fast-paced technology and instant gratification, Eggers’ inclination towards historical narratives invites viewers to reflect on the human experience through a different lens. His films often evoke a sense of timelessness, allowing audiences to engage with themes that are relevant across eras, such as isolation, madness, and the struggle for identity.

Eggers’ commitment to historical accuracy and his fascination with bygone eras have also sparked discussions about the role of technology in storytelling. By distancing himself from modern elements, he challenges filmmakers and audiences alike to reconsider how contemporary life influences narrative structure and character development. His perspective raises important questions: How do modern conveniences affect our understanding of human experiences? What do we lose when we prioritize technological advancements over storytelling?

Moreover, Eggers’ stance may inspire a resurgence of interest in period dramas and films that delve into the past, encouraging a new generation of filmmakers to explore similar themes. The film industry has seen a recent trend toward nostalgia, with many creators drawing inspiration from history to craft compelling narratives. Eggers’ unique vision could play a pivotal role in shaping this trend further, as audiences yearn for stories that offer a break from the noise of modern life.

In conclusion, Robert Eggers’ aversion to modern settings in filmmaking highlights his dedication to historical narratives and immersive storytelling. By rejecting the incorporation of contemporary elements, he invites audiences to engage with profound themes and experiences that resonate beyond the confines of modernity. His films serve as a reminder of the power of storytelling to connect us to our past, encouraging both filmmakers and viewers to seek depth and authenticity in their cinematic journeys. As Eggers continues to explore the realms of history and myth, his work will undoubtedly inspire future filmmakers to embrace the richness of the human experience through the lens of the past.

Robert Eggers: A Unique Vision in Filmmaking

Robert Eggers, the brilliant mind behind films like The Witch and The Lighthouse, has made waves in the film industry with his distinct style and thematic choices. In a recent statement, he made it clear that he has no interest in directing a film set in the modern era. He expressed his distaste for contemporary elements, saying, “The idea of having to photograph a car makes me ill. And the idea of photographing a cellphone is just… death. So, no.” This bold declaration has sparked discussions among film enthusiasts and critics alike.

Why Eggers Rejects Modern Settings

Eggers’ aversion to modern settings isn’t just a quirky preference; it’s deeply tied to his artistic vision. He thrives on creating immersive worlds that transport viewers to different times and places. The historical accuracy and atmospheric tension in his films are evident in every frame. By rejecting modernity, Eggers ensures that his stories remain timeless, allowing audiences to engage with narratives that feel fresh and original.

When discussing his disdain for modern filmmaking elements, Eggers highlights a common struggle for many filmmakers: balancing artistic integrity with commercial viability. Many directors feel pressured to incorporate contemporary themes and settings to attract broader audiences. However, Eggers stands firm in his artistic direction, prioritizing authenticity over market trends.

The Impact of His Artistic Choices

Eggers’ commitment to his craft is reflected in the critical acclaim his films have garnered. Each project explores darker themes and psychological complexities, captivating audiences with their depth. His films, rich in symbolism and historical context, offer viewers a chance to ponder profound questions about humanity and existence.

For instance, The Witch dives deep into themes of fear and paranoia, set against the backdrop of 17th-century New England. By choosing this era, Eggers immerses his audience in a world steeped in superstition and dread, far removed from the distractions of modern life. The same can be said for The Lighthouse, which captures the isolation and madness of two men stranded in a remote lighthouse in the late 1800s. These settings not only enhance the storytelling but also resonate with audiences on a psychological level.

Eggers as a Modern Filmmaking Icon

Robert Eggers has become a unique voice in contemporary cinema, carving out a niche that celebrates the past while defying modern conventions. His refusal to engage with the modern era in his films challenges the status quo and encourages other filmmakers to explore historical narratives. In an age dominated by CGI and fast-paced action, Eggers’ dedication to practical effects and authentic storytelling stands out.

Fans of Eggers often wonder what his next project will entail. Will he continue to delve into historical themes, or might he surprise us with a different direction? Regardless of the path he chooses, his commitment to his artistic vision will undoubtedly shine through, captivating audiences worldwide.

The Future of Historical Storytelling

Eggers’ statements about modern filmmaking provoke thought about the future of cinema. As technology evolves and society changes, filmmakers are continually faced with the question of how to balance innovation with tradition. Eggers’ approach serves as a reminder that historical storytelling retains its allure, and there’s a vast audience eager for narratives that explore the complexities of the human experience across various time periods.

His stance on modern elements opens the door for dialogues about what audiences truly seek in films. Are viewers craving authenticity and depth, or are they more inclined towards the fast-paced, flashy aesthetics of modern cinema? Eggers’ focus on historical accuracy and psychological depth invites viewers to reflect on their preferences and the kinds of stories that resonate with them.

Why Filmmakers Should Take Note

Filmmakers, both new and seasoned, can learn valuable lessons from Eggers’ approach to storytelling. His emphasis on historical context and character-driven narratives demonstrates that there is still a place for thoughtful cinema in a world filled with flashy blockbusters. By staying true to one’s artistic vision and embracing the rich tapestry of history, filmmakers can create works that stand the test of time.

In an industry often driven by trends and commercial success, Eggers’ perspective encourages a return to storytelling roots. It inspires filmmakers to explore their unique voices and reimagine history in ways that resonate with contemporary audiences while remaining authentic to the source material.

The Cultural Relevance of Eggers’ Vision

Robert Eggers’ rejection of modern filmmaking aesthetics speaks not just to his personal preferences but also to a larger cultural conversation about the role of cinema in society. As audiences navigate a rapidly changing world, the desire for stories that connect them to the past becomes increasingly relevant. Eggers’ films provide a refuge from the chaos of modern life, allowing viewers to escape into worlds that are both unfamiliar and deeply engaging.

In summary, Eggers’ statement about his lack of interest in directing films set in the modern era encapsulates his artistic philosophy. His works challenge conventions, celebrate historical narratives, and invite audiences to engage with profound themes. As the film industry continues to evolve, voices like Eggers’ remind us of the power of storytelling and the importance of staying true to one’s artistic vision.

For more insights on Robert Eggers and his unique approach to filmmaking, check out the original source of the statement [here](https://twitter.com/DiscussingFilm/status/1882511062395990268?ref_src=twsrc%5Etfw).

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